Comments on: The Top Five Things to Know if You Want to Be a Black Filmmaker https://daredreamer.com/the-top-five-things-to-know-if-you-want-to-be-a-black-filmmaker/ The Sites & Sounds of Creative Expression Tue, 18 Feb 2020 16:41:03 +0000 hourly 1 https://wordpress.org/?v=6.4.1 By: Race Relations and Art | Dare Dreamer Magazine https://daredreamer.com/the-top-five-things-to-know-if-you-want-to-be-a-black-filmmaker/#comment-2126 Mon, 21 Jan 2013 16:11:38 +0000 http://daredreamermag.com/?p=7063#comment-2126 […] you’re interested in being a “black” filmmaker too, I strongly suggest you read this blog post I wrote last […]

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By: David Farrell, Jr. (@TSSPro) https://daredreamer.com/the-top-five-things-to-know-if-you-want-to-be-a-black-filmmaker/#comment-2125 Thu, 16 Feb 2012 05:47:28 +0000 http://daredreamermag.com/?p=7063#comment-2125 Ron,

I agree whole heartedly with your mention of Vimeo, youtube and other forms of online media sharing. Creating non-mainstream cinema, media outlets (there is a huge argument to what degree vimeo and youtube are or aren’t mainstream now…different topic) is crucial to getting work by African-American artists out to the public viewer. When a demographic or group of persons have the opportunity to tell a story, especial when it is about themselves, they are given an opportunity to emphasize the ideas, values and stories that are actually pertinent to them. Be it subverting the tropes perpetuated by culture by portraying drastically different characters or by emphasizing them in satire as we see here in this article or in cinema, see: “CSA: Confederate States of America” http://www.imdb.com/title/tt0389828/ My go to example for a cinema satire.

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By: Ron Dawson https://daredreamer.com/the-top-five-things-to-know-if-you-want-to-be-a-black-filmmaker/#comment-2124 Wed, 15 Feb 2012 20:53:32 +0000 http://daredreamermag.com/?p=7063#comment-2124 In reply to Butch.

Thanks for your honest feed back Butch. As Sam Jackson said so eloquently in “Pulp Fiction,” allow me to retort. 🙂

First, you do understand this is a satirical piece and as such needs to be taken with that mindset. At it’s simplest level, the point of the article is the exact same point of the “Black Acting School” skit. There are certain stereotypes that fit “black filmmaker”. The goal of this post is to say “If you’re black and happen to be a filmmaker, but you DON’T fit into any of those stereotypes, it’s okay. You don’t have to feel guilty or feel like a “sell out” just because you happen to want to make a sequel to “The Wizard of Oz” or something.

Second, and this is something that has always frustrated me, where do I say that NOT doing these things means you’re “white.” That’s like when people say a black person who speaks correct grammar “talks white.” A black person who has conservative economic values “acts white.” Why is proper grammar, wealth, power, etc, automatically associated with being white. It’s like we keep ourselves down when we perpetuate that kind of nonsense.

Third, the game is radically changing in Hollywood and the media. The power of the internet, YouTube and Vimeo has radically changed what ANY filmmaker can do nowadays. Yes, a black filmmaker may encounter a different reaction from people he or she meets than a white filmmaker or an Asian filmmaker. But that has much less power nowadays than it did back in the day when you HAD to rely on Hollywood. Today any filmmaker can give the proverbial middle finger to Hollywood and make films on his/her own terms. There was a time if you were black and wanted to make a sci fi film, it would be hard b/c you would be put into the “black filmmaker” box, and all Hollywood would want would be a hood or hip-hop film from you. Today, a black filmmaker could make a feature length film about any topic he/she wants, and if it’s good, they can get an audience, even an audience that will pay them (via VOD, iTunes, YouTube, blip.tv, etc.). The whole point of my post is to (in a fun way) make it clear that if you’re a black filmmaker, don’t automatically put yourself into that old-school “black filmmaker box,” nor feel guilty if you don’t fit in that box.

Lastly, FWIW, 1) there are “black” stories of African-American culture I am telling and want to tell as a filmmaker and 2) I like KFC. 🙂

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By: Butch https://daredreamer.com/the-top-five-things-to-know-if-you-want-to-be-a-black-filmmaker/#comment-2123 Wed, 15 Feb 2012 20:02:56 +0000 http://daredreamermag.com/?p=7063#comment-2123 Here’s my gripe about this article…it basically devolves into a “Whiter than Thou” topic where you seem to want to make it a point to encourage people that have been told to “Sell out” or may be on the fence to go right on ahead and do that. The point is had you at least once mentioned that regardless of whatever counter-stereotypical characteristics you possess you will be viewed as a “Black Filmmaker” first and as a “Filmmaker” second if at all I could buy into the write up as something more than a snake oil sales pitch. The very fact that you felt compelled to write this article at all already tells me that you accept the fact that race agendas, no matter who’s, are something you have to contend with so why try to sell people the polar opposite of the boulevard of broken dreams? I was almost waiting for you to start writing about how much you dislike Kentucky fried chicken.

The reality is that being a Black filmmaker is radically different than being White filmmaker because most people that you will need to work with are going to make not the best assumptions about who you are and what you’re about. Acting “Boojy” regardless of how innate or not it is to you will fragment some of that behavior some of the time with some people…it would have been nice had you started there.

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By: Spike Lee vs. Tyler Perry | Dare Dreamer Magazine https://daredreamer.com/the-top-five-things-to-know-if-you-want-to-be-a-black-filmmaker/#comment-2122 Mon, 13 Feb 2012 14:54:13 +0000 http://daredreamermag.com/?p=7063#comment-2122 […] of whose side (if any) you take, and regardless of whether or not you are a black filmmaker (click here for tips on becoming one ) there is something each of them has taught me about making it in this […]

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By: Pam https://daredreamer.com/the-top-five-things-to-know-if-you-want-to-be-a-black-filmmaker/#comment-2121 Fri, 10 Feb 2012 23:08:55 +0000 http://daredreamermag.com/?p=7063#comment-2121 I’ll be sure to share this with a young man I know who wants to be a filmmaker. By the way, I’m with your brother….you were still “Ronnie Dawson” when I knew you in grade school. Lol.

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By: Ron Dawson https://daredreamer.com/the-top-five-things-to-know-if-you-want-to-be-a-black-filmmaker/#comment-2120 Wed, 08 Feb 2012 16:36:47 +0000 http://daredreamermag.com/?p=7063#comment-2120 In reply to Steve Nathans-Kelly.

That sounds like a great read Steve. I’ll have to look into that. I’ll add it to my Wunderlist. 🙂

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By: Ron Dawson https://daredreamer.com/the-top-five-things-to-know-if-you-want-to-be-a-black-filmmaker/#comment-2119 Wed, 08 Feb 2012 16:33:57 +0000 http://daredreamermag.com/?p=7063#comment-2119 In reply to Ty Stone.

Oh my gosh. Thanks for this comment Ty. I had NO idea Steve McQueen was black. (And no, I’m not thinking of the other Steve McQueen). My favorite podcast is “Filmspotting” and they love McQueen’s films. I think “Shame” is one their top ten, and they loved “Hunger.” I’ve heard them speak of McQueen on many occasions and I assumed he was white. Fascinating.

Thanks for sharing.

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By: Ty Stone https://daredreamer.com/the-top-five-things-to-know-if-you-want-to-be-a-black-filmmaker/#comment-2118 Wed, 08 Feb 2012 15:10:37 +0000 http://daredreamermag.com/?p=7063#comment-2118 I Loved this Post. As a black male trying to make films this is something that I think everyone should read. These are also the the same reason I FEEL i.e. (Me) that Tyler Perry hurts blacks in movies, and those like Steve Mcqueen get over looked because he isn’t following what Hollywood sees as a black film. I just can’t stand when I see a black films, with an all black cast have the same tired out theme. With most black films not all but I (again meaning ME) feel that after we watched the trailer you know that there guns, a male cheating o his girl, or he has not education. A woman with no class and campy dialogue. We don’t try anything new, but we complain because Hollywood doesn’t want to take us seriously. We give them ammunition to pre-judge our films. The only way I feel we can break down these walls is to stand out like Steve Mcqueen did with “Shame.” It wasn’t because he was black, its because the film spoke volumes with it’s story tailing. Also he took a risk to step outside the “Black Box” of cinema. I myself can learn from people like him, Lee Daniels (not saying all his movie are that great) but they changed peoples thoughts. We can make people color blind to our films when we become color blind to ourselves.

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By: Steve Nathans-Kelly https://daredreamer.com/the-top-five-things-to-know-if-you-want-to-be-a-black-filmmaker/#comment-2117 Wed, 08 Feb 2012 14:16:32 +0000 http://daredreamermag.com/?p=7063#comment-2117 By the way, the one other thing this post reminded me of was the capsule review of Boyz N the Hood in Leonard Maltin’s flim guide from ’92 or ’93, where Maltin wrote, “John Singleton gets the African-American urban experience _almost_ right.” I always wondered how Maltin knew that. Maybe it’s because he’s seen so many movies.

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