This week we have a special episode and update that includes listener voicemail, a trailer for a new podcast and film series, and a provocative if not fun behind the scenes discussion about a past episode.
Alfred Hitchcock: Anatomy of a Genius [RFS-FJ17]
There are few filmmakers in the history of the craft who are as revered for their work, and as associated with a particular style, as Sir Alfred Hitchcock.
Get ‘er Done—A Mixed in America Update [RFS-FJ16]
Today’s episode is a must-listen episode for anyone out there who has procrastinated or dragged their heels on getting a project done. An update on my documentary “Mixed in America”.
Technology & Filmmaking: This Is Not Your Mother’s NAB Wrap-up [RFS-FJ15]
Last month we had one of the most attended NAB Shows ever. But in true Radio Film School style, our “coverage” of it won’t be what you expect.
Whitestone Motion Pictures Making “History” [RFS-FJ14]
The inspirational rise and fall (and rise again) story of how Whitestone Motion Pictures came from the brink of throwing in the towel, to shooting a project for The History Channel.
Brandon McCormick and Proof It’s the Talent Not the Tools [SE17]
I originally thought about calling this Radio Film School episode “Brandon McCormick’s Incredible Infinite Catalog of Creative Compositions”. But Talent v. Tools was easier. Find out why and what you’ll learn.
What Is Plot? The Ultimate Guide for Beginners
Stillmotion lead storytellier Patrick Moreau gives insight into the question “What is plot?” as it pertains to documentary storytelling.
One mind trick to get more out of even the toughest interviewee
Patrick Moreau of Stillmotion shares some more sage advice about interviewing tips for documentary filmmaking.
Uncut Interview with Richard “RB” Botto of Stage 32 [RFS Uncut]
My full, uncut Radio Film School interview with Richard “RB” Botto, the CEO and founder of the creative arts social media juggernaut Stage 32.
How to Get Better Interviews by Overcoming this Bad Habit
This one error in thinking is absolutely insidious and can sabotage so many parts of your filmmaking. And until we confront it, we don’t really have any hope of overcoming it. But first, a story. A couple years back we were doing a rather high-profile video for a large cancer hospital. By “high profile: I mean […]