Comments on: Looking Into the Camera for Interviews

By: Ron Dawson

Ron Dawson — Tue, 10 Apr 2012 00:41:35 +0000

actually in documentary filmmaking I don’t know if that would technically be considered “breaking the 4th wall.” My understanding is that breaking the 4th wall has to do with a fictional character in a narrative coming “out of the story” to recognize there’s an audience. But in a documentary film or video, the interviewee is not a fictional character and he/she KNOWS there’s an audience, whether or not he’s looking at them. I could be wrong, but that was my understanding.

By: Nic Justice

Nic Justice — Mon, 09 Apr 2012 21:34:36 +0000

In reply to Ron Dawson.

Also in “filmmaking” this is called “breaking the 4th wall” where the character is aware there is an audience watching the action unfold.

the 1st two clips in this montage are some great examples. http://www.youtube.com/watch?v=vgJkLniLpfU (warning Wanyes World content)

By: Bjorn A.

Bjorn A. — Thu, 22 Mar 2012 21:22:10 +0000

Paul Bean is spot on. People see such to-the-camera “testimonials” every day in TV commercials with text below saying they are paid actors, and this leads to less and less trust.

Using a good interviewer who is sitting near the camera, now that goes a long way towards establishing credibility. I see this already when editing doco interviews, big difference.

By: Nigel

Nigel — Tue, 20 Mar 2012 21:39:17 +0000

In reply to Paul Bean. Errol Morris and Alex Gibney may beg to differ.

By: Ron Dawson

Ron Dawson — Tue, 20 Mar 2012 12:43:31 +0000

In reply to Nigel. This was indeed a very quick shoot and set up. Always appreciate constructive feedback. Thanks Nigel.

By: Ron Dawson

Ron Dawson — Tue, 20 Mar 2012 12:42:12 +0000

In reply to Nic Justice. The idea of doing a mix makes a lot of sense. I did that with my "Pursuit of Dream" film, where throughout most of the film eye-line is off camera, then the last section the main interviewee looks directly into the camera. Great when you want to emphasize the message to the audience.

By: Alexis Cuarezma

Alexis Cuarezma — Tue, 20 Mar 2012 02:28:41 +0000

Ron! this is a great topic!!! Thanks for writing about it. Even though I’m not a film maker, I’ve thought about this as I may very slowly transition. I always look at work that I love and then study it. IMO, one of the best if NOT arguably the best sports documentaries that I’ve ever seen are HBO’s 24/7. They set a new bar on how documentaries should be. I had the privilege to see some of their crew in action while I was down at the Wild Card Boxing gym on assignment.
There’s always a lot more then meets the eye when seeing someone’s work. Anyhow, in 90%-99% of their interviews, they have their subject looking off the camera. And for them, it works really well & they get really intimate and personal with their subjects. but they always have their lighting, sounds, music & composition locked down to set the mood.
So I think either way can work well.

By: Paul Bean

Paul Bean — Mon, 19 Mar 2012 22:36:28 +0000

It totally depends on your subject matter. If a subject looks into the lens, he becomes an active participant in the production, and a viewer will, at least subconsciously, assume he’s being compensated in some way. So, as in your Kickoff example, I don’t mind because it’s a sales video, so his credibility is not in question because I know I’m being sold to and the participants are salespeople. But in the worlds of journalism/documentary it’s usually very important that the subject’s honesty not be compromised. Also, oftentimes it’s more powerful to allow your viewers to be voyeurs.

By: Nigel

Nigel — Mon, 19 Mar 2012 18:49:58 +0000

For something like this it definitely works. But because the subjects are now looking at you there’s more attention to detail and any slight imperfections on the shot are more noticeable. For example in the first interview the subject is facing down and looking up at you, this feels a little off. In some of the following interviews the eyes are too dark, especially with the subjects wearing glasses. I imagine this would be tricky to fix with a simple lighting set up. I feel like you can get away with a lot of this with the traditional set up.

Don’t get me wrong the spot works 100%. Thanks for sharing.

By: Nic Justice

Nic Justice — Mon, 19 Mar 2012 15:30:17 +0000

I think you can get great results if you mix both. telling the story of why the subjects uses a product (off camera) then usually the near the end the story would shift to why you, the viewer should use the product(into the camera).
Nightly news programs mix the two. Anchors are usually talking straight to the viewer “up next we have a squirrel on water skis that you are going to love.” and the reporters will talk to the camera but the subjects talk to the reporter, off camera.

I think the off camera really was made popular because people can relax a bit and actually forget the camera is there if they are talking to another person. Whereas, if they are looking down the lens they feel the need to say the perfect thing and edit themselves more. So maybe the style became pleasing out of necessity of getting a better interview.